Onur Ceritoğlu

I only saw photographs of Cengiz Çekil’s Exhibition / Installation (Şantiye Sanat Galerisi, İzmir, 1994). The altars and grave markers in Tanned Jackets and Winners—two works from this exhibition—, I feel, are predecessors to the body of work Northern Forests by KABA HAT, the artist collective that I’m part of.